Selly Thiam says producing an LGBTQ podcast in Kenya is incredibly challenging. There's homophobia, government censorship, and a potential audience that still doesn't quite know what a podcast is. An…
Why do you report a story or produce a podcast and send it out into the world? What gives you purpose? What do you stand for? Rob finds meaning from the original NPR mission statement. He talks to Bi…
Because of COVID 19, Reporters are scrambling to figure out how to report from home given social distancing guidelines and shelter in place orders. In response, reporters are devising clever ways to …
Narration in stories is usually just that - narration. Someone in a booth reading or ad-libing a script. But, "Borders Between Us" is different. Producer, Saidu Tejan-Thomas, uses poetry to tell the …
Two stories, produced in a week by Transom Traveling Workshop students. The first, by Georgia Walker at our workshop at WPLN in Nashville. And the second, by Maribeth Romslo at our workshop in Seattl…
The first time Rob listened to "A Cow a Day" he thought "What the??!" But then he listened again and was hooked. Rob talks to Pejk Malinovsky, the producer of the doc, about his two wildly different …
Got your ears on? You'll want them as Rob threads his way through a wide variety of clips that caught his attention over the last few months. A man injects Fentenyl into his neck... Toni Morrison sp…
Shereen Marisol Meraji of Code Switch told me she's sick of her voice -- the authoritative narrator. In response, Shereen recently experimented getting out of the way and letting the tape do the talk…
Let's face it: Use of the pronoun "I" has gotten out of hand. There's much too much navel gazing and self-indulgence in so many podcasts. And yet, sometimes using the first person as a reporter is th…
Two treats for your ears. Stories produced by graduates of the Transom Story Workshop -- Ruby Schwartz and Cariad Harmon. They're well worth a listen if for no other reason than their stories are abo…
The backstory to WGBH's Gabrielle Emanuel's reporting on a hidden past is fascinating. How she found people connected to the Reverse Freedom Riders… How she communicated with them by hand-written not…
When you're yelled at. Called a prostitute. Told you're a liar and shameless and malicious... How do you stay the course and keep interviewing? Brazilian journalist Leticia Duarte explains her approa…
Emily Kwong had never been to Mongolia. She doesn't speak the language. She didn't know her way around. It was winter and very cold. She was in-country alone -- no fellow producer. The only way she w…
Rob talks specifically about how to bring music in and out of a story. And, then, he takes a stab at the impossible: explaining one aspect of how to select music to use for scoring.
How do you score a story with music is one of the most frequent questions, HowSound's Rob Rosenthal is asked. Up now, the first of two episodes on the fundamentals of using music in stories.
HowSound listeners always seem to want tips on interviewing. Liz Mak of Snap Judgement delivers on this episode with her approach to interviewing for emotions.
Get your ears on for this episode. Rob presents clips from podcasts that made his jaw drop including Love + Radio, The Ballad of Billy Balls, and Have You Heard George's Podcast.
Reporting in the field can be chaos. Anything can happen. NPR host Noel King says that's the best part of being a journalist -- chasing a story that's ever-shifting.
In 2017, producer Sam Greenspan took a leap. He left his producing job at 99% Invisible for... well, he wasn't exactly sure at the time. Now, two years later, Sam's launched Bellwether, a podcast emp…
00:17:45 |
Wed 21 Aug 2019
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