Jennifer Kingsley was so nervous when she started "Humans of the Arctic" she didn't eat for a week. But, she stepped off the boat in Svalbard with her mic and recording gear and learned a valuable le…
Producer Morgan Givens lays out his elaborate thinking behind a few sound effects he recorded for a historical fiction story he produced about an escaped slave.
It's a hackneyed idea, but it bears repeating: you can have all the right gear and marketing and everything else to make your podcast successful, but the most important asset is you. On this second e…
Recording equipment? Check. Marketing plan? Check. Theme music? Check. Mindset?..... You can have all the technical and logistical aspects of podcasting in place but if you don't have the right outlo…
Often, sound brings to light the visuals in a radio story. But, narration can paint pictures, too. NPR's John Burnett talks "color notes" in radio storytelling.
For some radio inspiration, make sure to listen to these three stories produced in a week by students at a recent Transom Traveling Workshop in Marfa, Texas. Then, sign up for a workshop yourself!
The narrative arc in recent story about the drug epidemic by NPR's Rachel Martin was like being taken down into a basement and having the light turned off. The piece was bleak and the ending was, per…
Radio producers talk about the scenes in their stories all the time. "What are the scenes in your story?" "Oh, I got some great scene tape today." But what is a scene? On this episode, Rob dissects o…
It's possible I love David Weinberg's "Louie Louie" doc because I love the song. It's "Louie Louie" for God's sake. But, really, what hooked me was David's writing. Especially the opening.
Select telling details... Mete out descriptions... Cast surprising characters... and other tips for dynamic and visual reporting on the arts from the legendary Susan Stamberg.
This year marks the 25th anniversary of one of the best -- if not the best -- radio documentary: Ghetto Life 101. Producer David Isay and editor Gary Covino recall their landmark work on this episode…
A few years ago, Chenjerai Kumanyika went to record his narration for his first-ever radio story. And he discovered a problem: "What should I sound like?" Several years later, Chenjerai found his voi…
How can you be fair during an interview with a suspect when a police officer is standing right there? Over the years as a law enforcement reporter for NPR, Martin Kaste has developed an approach to n…
What do you do when the main character in a story is strange, bizarre, and weird? So crazy listeners might tune out? One answer is to find a sympathetic character, someone the audience can relate to.…
Bradley Campbell couldn't believe it when I told him I'd like to interview him about sports stories. He knows how much I hate them. But, a sports story he produced and other episodes of Gamebreaker a…
Megan Tan pulled the plug. She stopped producing Millennial at the height of the podcast boom. Her inspiring yet cautionary tale on this episode of HowSound.
One way to start a story is with a question -- one that focuses and animates the piece. Annie Minoff and Elah Feder of the "Undiscovered" podcast use focus questions as story starters to great effect…
"The Promise," a podcast from WPLN in Nashville, is an inspiring example of the journalism of empathy. And, it's easily some of the best local reporting I've heard in a long time. Meribah Knight expl…
00:18:01 |
Tue 06 Feb 2018
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