Cat Jaffee and her team put community first and foremost at House of Pod, a local podcast hub in Denver. But, after four years, House of Pod will be without a house — a loss for Denver and podcasting…
On this archive episode, a fascinating minute of audio — the sound of war and peace reconstructed from the exact end of World War I. Even more fascinating, the producers conjured the sound using audi…
Headphones on for this one. Rob marks the passing of the groundbreaking composer and sound ecologist R. Murray Schafer with his colleague and fellow composer, Hildegard Westerkamp. This episode will …
Ruby Schwartz pitched a story to Snap Judgement based on a memoir. They gave her the green light. And then she had to figure out how she was going to squeeze a 320-page book into a short radio docume…
Don't just interview to grab a bunch of information, interview for story and make your work a whole lot stronger. Alix Spiegel of Invisibilia and This American Life explains how.
Megan Tan produced a story about dating during Covid but she didn't record any of the dates. So, what did she do to create scenes? The answer is an unusual production choice that worked incredibly we…
Good producers hide the difficulties. They make it all sound easy. Cariad Harmon's "Record Booth" is an excellent example. She seamlessly weaves together narration, interviews, scene tape, music, and…
On this episode of HowSound, a wide-ranging chat about writing for audio with one of the masters: Jonathan Goldstein of the Heavyweight podcast from Gimlet. From the importance of feeling what you wr…
Narrating a stand-up on location as events unfold in front of your mic is no easy thing but reporter Robert Smith makes it sound like it is. He's a master of the stand-up and he explains how he makes…
Rob Rosenthal has stepped away from teaching the Transom Story Workshop on Cape Cod. To mark the occasion, Rob's put together a fireworks show of great stories from Transom students over the years. W…
Shapearl Wells says the truest form of journalism lets others speak their own truth. And that's just what she did as host and the main character for "Somebody," a podcast that was a Pulitzer Prize fi…
The CBC's Mic Drop is a small but mighty podcast amplifying young people's voices "without any adult interruptions," as the kids put it. On this HowSound, Shari Okeke, the show's founder and producer…
Creative audio journalism and storytelling is sometimes influenced by film, avant-garde music, and literature. But what about anthropology? Nanna Hauge Kristensen is a radio producer with an anthropo…
One of the most difficult tasks in writing is keeping a story on target. One way to wrangle an unruly story — or any story, really — is with a focus sentence.
There's an old maxim in radio: the tape rules. "According to Need" by Katie Mingle and 99% Invisible is proof that good tape can drive a story. However, Katie says she wasn’t very practiced in produc…
One of the best ways to learn how to improve at the craft of audio storytelling is to take a deep listen to good work and dissect it. On this HowSound, I point out some of the best parts of a story a…
The list of names at the end of some podcasts is mind-boggling. Who are these people? What do they do? Antonia Cereijido, Sophia Paliza-Carre, and Audrey Quinn of the "Norco 80" podcast have an answe…
Rob's been puzzling over one particular question about trailers for serialized podcasts: What should the relationship, the handshake, if you will, be between the trailer and the top to the first epis…
You should lie down with your eyes closed for this one! That's because the interviewees in the stories I feature were -- lying down, eyes closed, lights off, candle lit, answering questions. They wer…
A friend once said "What feels like a groove might actually be a rut." So, how do you get out of your rut? Sarah Geis has an answer: Audio Playground.
00:32:10 |
Tue 02 Mar 2021
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