This is the first episode of the Sound School Podcast (formerly HowSound). It's still from PRX and Transom. Rob's still the host. And the show is still committed to digging deep on the backstory to g…
Field recordist Melissa Pons says one of the most important elements of recording soundscapes isn't the gear -- it's you. If you're humble and connect to how the landscape makes you feel, your record…
Some interviewees are shy. Others guarded. Yet, you need to talk to them for a story. How do you help them open up? Erika Lantz and Elin Lantz Lesser have a lot of ideas. They spent the better part o…
Almost every reporting trip has its pitfalls. Andrew Leland's recent story for Radiolab had more than most: He reported people with disabilities participating in tests for travel in space. Along with…
For more than twenty years, radio journalist Laurel Morales followed the rules: Don't share scripts with sources. Laurel now produces the podcast "2 Lives" and she's tossed that rule out the window. …
Ben Calhoun, formerly of This American Life, sat for two hours staring at a Google doc trying to figure out what to say. It was a delicate piece of writing about race and his own identity. Ben unpack…
Back in 2007, when Andrea Silenzi was a rookie reporter just learning the craft as a student, she reported a story about a woman dying of ALS. It was not easy to report and she regularly wondered "Wh…
Hillary Frank says middle school can be brutal. The bullying, the harassment, the homophobia, the racism, the sexism... it's all there, along with the complicated emotions of pre-teens. "Here Lies Me…
Davia Nelson, one half of the legendary Kitchen Sisters, shares the pair's incredible news: The Library of Congress will acquire the Kitchen Sisters' archive, decades of innovative audio work. Davia …
Rob doles out another collection of darts and laurels on this episode. Darts for missing credits and superfluous sound effects. Laurels for stupendous production values, character development, and ju…
One of the most helpful tools for organizing a story is a "scene chart." Think of it as an outline for the "chapters" in an audio story. Rob dissects one of his favorite audio stories, one he's used …
A breath may seem like the most insignificant detail in an audio story. But, Rob says breaths are incredibly important when you're editing. All you have to do is listen to stories where the breaths a…
Vermont Public Radio reporter Angela Evancie says with the decline in trust of the media, the best way to build back that trust is with listener engagement and podcasts like the one she produces: Bra…
Silence is often viewed as a no-no on the radio and in podcasts. Silence sounds like something's wrong — the radio station went off the air, the podcast paused. But, what if a story is about silence?
Audio producer and sound artist Kristina Loring was walking the beach with her dog when she stumbled across an actual message in a bottle. That moment led to an unusual audio installation involving b…
Al Letson set his sights on true crime storytelling in an unusual way — with a covenant for listeners in the true crime series he reported for Reveal, "Mississippi Goddam: The Ballad of Billey Joe." …
When the story is about a family (and also not about a family), but the parents are divorced, and the kids and their father haven't spoken for years, how do you, as a reporter, navigate those tricky …
Producer Nina Porzucki is giving audio producers a gift on this episode — she's sharing a work in progress, a first-draft pilot for a podcast. Nina lays out how she got to the pilot stage and now, wh…
Erica Heilman's story "Finn and the Bell" is the best I’ve heard this year. It's a painful, graceful story about a young man's suicide in rural Vermont. Erica's heart is in the piece; you can hear it…
Rob offers darts and laurels for stories he's recently heard — what's good, what's not so good. On the list, productions from "Kids Short Stories," "Nice Try," "Demented," "The Skewer," and others.
00:27:54 |
Tue 07 Dec 2021
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