A podcast for people who LOVE movies. Filmmakers/best friends, Alex Withrow and Nick Dostal, do their part to keep film alive. Thanks for listening, and happy watching!
Recorded seconds after the Oscars ended, Alex and Nick talk about Will Smith slapping Chris Rock, the worst acceptance speech in the history of the Academy Awards, director’s sabotaging their film’s …
Alex and Nick make their final picks for the 94th Academy Awards. The guys discuss current Oscar narratives, “The Power of the Dog” vs. “CODA,” the Academy’s stupid decision to not air several awards…
You asked, we answered! The guys answer a bunch of great questions from their amazing listeners. Radom topics include: Puking at the premiere of “The Neon Demon,” cult classics, fourth wall breaks, p…
Alex reviews Steven Soderbergh’s new thriller, “KIMI,” along with the other movies of Soderbergh’s post-retirement career: “Logan Lucky,” “Unsane,” “High Flying Bird,” “The Laundromat,” “Let Them All…
Alex and Nick introduce a new monthly series to the podcast, in which they review movies from the Criterion Collection that they’ve never seen. This segment includes classics that influenced Paul Tho…
Alex reviews Joachim Trier’s Oscar-nominated film, “The Worst Person in the World,” along with the other four films nominated for the Best International Feature Film Oscar: “Drive My Car,” “Flee,” “T…
Alex and Nick discuss the 94th annual Academy Award nominations, modern Oscar controversies, and the biggest Oscar upsets of all time.
Let us know your Oscar thoughts on Twitter @WAYW_Podcast.
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Alex and Nick celebrate the career of the late, great Philip Seymour Hoffman. The guys discuss stealing scenes, working with PTA, inherent sadness, volcanic rage, "Along Came Polly," and much more. L…
Alex and Nick break down their favorite films from 2021. The guys discuss back-to-back rough movie years, empty movie theaters, audience expectations (again), studios abandoning their movies, and muc…
In honor of “Scream 5,” Alex and Nick break down their lifelong obsession to Wes Craven’s “Scream” and its very worthy follow-up, “Scream 2.”
The guys discuss the massive influence of “Scream”, great …
Nick and Alex make their way through the great films of Paul Thomas Anderson. Stray topics include the editing in “Hard Eight,” the parents in “Boogie Nights,” making “Magnolia,” the sounds of violen…
Alex and Nick review Adam McKay’s “Don’t Look Up.” The guys launch into satires, politics in art, film in 2021, political correctness, deleted scenes, erotic thrillers, and more. This one gets weird.…
What Are You Watching wishes you happy holidays by spending 75 minutes discussing the sex addiction drama, “Shame.” The guys navigate through Alex’s obsession with the film by diving deep into Steve …
Has there been a better movie year since 2011? Alex and Nick dive into the many great films of 2011 and discuss movies that changed their lives, movie theater experiences, the bygone comedy, and much…
Alex reviews the new film “Spencer” and discusses Kristen Stewart’s perfect performance as Princess Diana, British character actors, knowing embarrassingly little about the Royal Family, Jonny Greenw…
Ridley Scott’s “House of Gucci” is finally here! Alex talks about Ridley’s insane work ethic, avoiding your family during the holidays, Lady Gaga’s Oscar prospects, movie accents, Jared Leto, and mor…
Alex flies solo to give an outsider’s take on Denis Villeneuve’s "Dune." Alex discusses "Dune" lore, technical mastery, Oscar prospects, Charlotte Rampling and Stellan Skarsgard as all-timers, and Vi…
With Jessica Chastain poised to earn Oscar and Emmy nominations for her 2021 work, Alex and Nick take a look at one of their favorite working actors. The guys discuss acting choices, strong character…
What better way to celebrate Halloween than talking about the movies that absolutely terrify us? Nick barely keeps it together as he and Alex discuss the movies that scare them the most. Is there any…
Alex flies solo to deliver a spoiler-free review of Ridley Scott’s new film, “The Last Duel." Alex discusses “Rashomon” narrative styles, a never-better Adam Driver, confident direction, and much mor…