Third Coast Pocket Conference

Behind many audio stories, there’s stacks of paper and documents full of text. Old interview transcripts that predate recording technology. Letters found in a box. Court records. Emails.

In this sessi…

What does it mean for a podcast or radio story to be “innovative” or “experimental”? Is it in the writing? The structure? The use of sound?

At the 2018 Third Coast Conference, Andrew Leland and Michel…

Using found reels of an old wire recorder from the 1950's, interdisciplinary artist Alison S. M. Kobayashi created her performance piece, "Say Something Bunny!" heralded by the New York Times as “for…

We make stories for the ear, but there’s no escaping the highly visual nature of the work we produce...

No other medium allows its audience to see as imaginatively, as privately, and as sensitively, a…

At AIR's Bitchin' Pitchin' Panel, three producers each pitch directly to a panel of editors to give them a shot at selling their story, while everyone gets some insight into the process. Back for her…

At AIR's Bitchin' Pitchin' Panel, three producers each pitch directly to a panel of editors to give them a shot at selling their story, while everyone gets some insight into the process. Back for her…

What are provocations? Imagine that you’re hashing out an issue you care deeply about in audio with a friend - except this time, it's live in front of a room of hundreds of people. Don’t be afraid to…

Individual podcasters working with slim budgets and strained resources share how they create their best work while trying to grow audiences and raise money, often while holding down another full time…

Individual podcasters working with slim budgets and strained resources share how they create their best work while trying to grow audiences and raise money, often while holding down another full time…

True crime podcasts are everywhere. But in 2018, we listened to one murder mystery series that stood out in extraordinary ways. It’s called Missing and Murdered: Finding Cleo. We were so impressed by…

Whether you’re a longform documentary maker, or reporting a short news spot, you need to have a deep understanding of the people and places you’re covering. WBEZ reporter Linda Lutton and Snap Judgme…

Building a radio story often means hours (Dozens? Hundreds?) of tape, reams of written notes, photos, links, and research... It is very easy to get lost in this mountain of material — unsure of what …

Podcasting has shaken up the way public media reporters & journalists tell stories - in some deeply exciting and innovative ways!

How can audio producers in public media, including member stations out…

Come hang with journalists Leila Day and Hana Baba, co-hosts of The Stoop Podcast: stories from across the Black diaspora.

Born out of the side conversations they had while microwavin' their lunches i…

How can audio storytelling translate to — and interact with — media like photography and print, and platforms like public installations and live events? And how to conceive and develop such projects?

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In June of 2018, ProPublica released a piece of audio that would come to define one of the most critical news stories of the year: the separation and detention of families seeking asylum at the U.S. …

Two moments are colliding: An oppressive politics of hate and repression, and a boom in narrative storytelling. So how do we use one to confront the other? It’s time to think deeply, meta-critically,…

We're kicking off this season of the Pocket Conference with the closing event of the conference: the Awards Ceremony for the 2018 Third Coast / Richard H. Driehaus Foundation Competition.

This year's …

On this episode we’re bringing you another session from the 2018 Audiocraft Conference in Sydney, Australia.

While there's often talk about creating the Next Big Thing in podcasting, Eleanor McDowall …

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