The Writing University podcast features recordings of illuminative craft talks from the renowned writers, novelists, poets, and essayists who present at the Eleventh Hour Lecture Series during the University of Iowa's Iowa Summer Writing Festival.
Death has haunted the work of countless authors. And even if we’re not writing about death directly, it often overshadows our creations, as we deal with the loss of loved ones and the inevitability o…
Getting a story onto the page is a necessary first step. Then the heavy lifting, both outer and inner, can begin. While the facts of a real-life or fictional event may remain static from draft to dra…
We often think about the tool of reflection in writing as a mode of thought or tone of voice we employ when we ruminate, meditate, contemplate, or explain—in short, when we provide what Phillip Gerar…
During workshops, it often becomes clear how heavily the “feminine” voice—characterized by multi-angled, expansive prose and a focus on the emotional realm—is criticized in writing, and the “masculin…
Writers frequently confront taboos—cultural, religious, and sexual—in their work. These taboos are also reinforced by the publishing process. When is it OK to offend? When is it gratuitous? Are you b…
In this lecture, we’ll consider some recent poems in which gratitude emerges from or exists alongside difficult experiences. How do moments of acute gratitude interact with loss, grief, memory, and o…
Giving a piece of writing a title is a proper and necessary act—otherwise we’d have, “Untitled,” by Homer, not to be confused with Leo Tolstoy’s great work, “Untitled.” Yet titling is not generally s…
Lord Byron said, "We of the craft are all crazy." Maybe, maybe not. This talk will examine the forces that influence what we write, why we write, when we write, and where we write. Drugs, drink, depr…
Beneath our writing is a deep sense of self that informs the way we organize experience and shape meaning. Autobiographical writing heightens our awareness of life's patterns and themes, concepts tha…
Much of my favorite work to read and to teach can be considered “resistant narratives”—work that responds to and rewrites the narratives we have received from a culture that often wishes to reduce an…
Talent is important in creative writing, but resilience is critical. Writing is a lonely endeavor with much rejection. Even worse, our projects are often so long-term that they require the staying p…
This lecture will consider the act of naming. How do we choose the names we give to the characters and figures in our stories and poems?
How does a name give a character charge, or mark it, or e…
The best essays, according to John D’Agata, Director of the University of Iowa’s Nonfiction Writing Program, are a “mind on a page.” According to Bernard Cooper, they magnify “some small aspect of wh…
We often think of writing as something we’ll really get to do later, when life slows down and we have more time to devote to it. Writing retreats, those programs or places that offer endless space to…
This lecture will consider what is at the heart of critique and discuss the relationship between the workshop and places of worship, confessional boxes, crying rooms, hospitals, wombs, therapist offi…
In this Eleventh Hour, poet Michael Morse will discuss how a work of writing can inhabit its contemporary situation by addressing a distant practitioner or piece—as an inspiration, a model, or even a…
Readers and writers often refer to novels in a binary way. They think of them as being either commercial (popular) or literary (artful). It’s a false dichotomy that sets you up to feel defensive, no …
Nerve: Some Kinds of Courage Necessary for Writing: Lon Otto
00:55:45 |
Mon 26 Jun 2017
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