Two passionate audio engineering nerds --- Kush Audio gear designer and avowed analog snob Gregory Scott, and ITB mixing pro Nathan Daniel --- crack themselves up while answering listeners' questions about everything from gear and plugins, to the psychology of mixing, to what makes a song grab the listener's ears and heart and how to get more of it into your productions.
Whether you mix professionally on a 9000J or in your bedroom on Cubase, these ballbusting fanatics of sound will spark your thinking in creative new ways, help you bust out of your own limiting habits, and get you laughing in the process.
- FOUR Question of the Week Winners!
- Getting Multi-Tracks to Sound Like 'A Band in the Room'
- Staying Nourished During Marathon Sessions
- Making Friends with Bass
- Business & TAXES
- "Irrational…
- Analog Summing: Does It Make a Difference? - Why Is High End Gear So Stinkin' Expensive?? - Invasive Cymbals… Look Out! - 3-8k Harshness: What's Really Going On? - Free UBK Plugins? - Balancin…
- Elevating a mix from 'balanced' to 'GROOVIN'
- Getting a fresh perspective on your mix
- Making a mix 'smooth' rather than 'dirty'
- Plugins that emulate a/d converter clipping
- Getting more analo…
- Multi-band Compression: yes or no? - Tracking sounds that serve the Production - Mix/Arrangement Analysis: Lovage - Is recording to SSD drives safe? - Clients who can't hear groove or subtlety …
The Season 1 Finale of UBK Happy Funtime Hour is up! Over one hour long, for your listening pleasure! - "Question of the Week" Kush T-Shirt winner
- Mix Analysis: Arctic Monkeys!
- Using Compressors…
- Question of the Week Kush T-Shirt Winner
- More on Configuring Subwoofers
- Time Align: Stretching vs. Manual Editing
- Knowing How Much to Charge Clients
- Widening a Mono Source without Damaging …
- Question of the Week Giveaway Prize Awarded!
- Plugin Marketing Claims vs. Plugin Truth
- Grump of the Week!
- Big Snares in Dense Mixes
- What Doesn't Go in the Drum Comp
- Beware of Too Much Isol…
- Why does Saturation add 'Depth' - How to say "Your Music Sucks"? - EQ tips for novices - another UBK Brain Training Exercise® - New Segment: "Grump of the Week" (!!!) - How Tempo dictates Arra…
- UBK's patented "Complimentary EQ" technique
- 70's delay techniques & studio monitors
- Exactly how 'quiet' is 'quiet monitoring'?
- Better Mic Placement on Vocalists
- Whining Old Guys
- Managing …
- UBK doesn't really like 6k - what every client *really* wants & how to earn their trust - get new gear vs. get better with what you have - should you cut breaks on your rate to get a gig? - mor…
- Balancing Glue with Separation
- EQ before vs. after Compression (UBK-1 vs. UBK Fatso)
- Pusher Video Update
- Troubleshooting Digital and Analog Gainstaging
- Addressing Frequency…
- Getting Past Walls & Creative Blocks in a Mix
- Small Moves, "Shaving the Mix into Being"
- Tucking Things Further Back with more Presence
- Mixing on Headphones vs. An Untreated Room
…
- Getting a Juggernaut Low End
- Finding the Ideal Tempo
- Monitor Placement & Low Freq Tuning
- Arrangement: What It Is vs. What It Contains
- Being Ruthless with the Mute Button
…
- Different 2-buss compression approaches
- Knowing When It's Done
- BACK IT UP and HIT DELETE
- Why 192k?
- Making it Bright but Not Edgy
- Mixing more Emotionally
- and mor…
- Reverb Braintraining Exercises
- Earthquakes
- PONO: Will Anybody Care?
- Compression Before Saturation
- Arranging the Old Fashioned Way
- The Neuroscience of Compulsions
…
- Deviated Septums
- Creating Width & Depth with L/R Contrast
- Reverb: Simple Starting Points for color & movement
- Colored A/D Converters like the B2
- Coke Snorting Investment Ba…
- 192k meets the Studer
- Home Mastering Advice
- Nathan's version of Brauer's "5 comps on vox"
- Do We Really Need Another New Mic?
- Magic Frequencies redux
- Nine Days in Patc…
- NAMM (it's about the people)
- UBK's process for writing & self-recording songs
- Antelope's Orion 64 i/o Interface, Focusrite Red Compressor, Izotope's Denoiser
- The Magic of 1k
…
A pilot that was never supposed to hit the air, we just grabbed crappy mics and yammered on for an hour with absolutely no purpose or direction. We found 10 minutes that were fit for public consump…