Kamilaroi and Tongan singer and musician Radical Son (AKA David Leha) has just released his second album, a full decade after his debut. Called Bilambiyal (The Learning) it demonstrates his growth as…
Brett Dean and Matthew Jocelyn's Hamlet (2017) has been one of the most successful operas of recent years with performances at the Glyndebourne Festival, the Adelaide Festival, New York's Metropolita…
This program contains strong language throughout.
Before Madonna brought voguing into the limelight, the queer community had been quietly putting on balls and celebrating this form of expression si…
Andrew Gurruwiwi leads the Andrew Gurruwiwi Band in what they call 'Yolŋu funk', a mix between reggae, heavy metal, and funk in language from across the region. Andrew tells us about his music-making…
First Nations listeners are advised that this program contains the names and voices of people who have died.
At the start of NAIDOC Week, The Music Show explores the legacy of the late Ruby Hunter –…
Russian-American conductor Lidiya Yankovskaya comes to Opera Australia to conduct Puccini’s Il trittico, a rare triptych of operas which span tragedy, farce, and religious fervour. Lidiya is at home …
Aboriginal and Torres Strait Islander listeners are advised that this program contains the names and voices of people who have died.
Neal Peres Da Costa’s most recent recordings include a Mozart pia…
British singer songwriter Grace Petrie has an EP called “There’s No Such Thing As A Protest Singer” – but if there was such a thing she would definitely be one of the preeminent ones. Her musical car…
Sixty years ago The Fab Four toured Australia for the first and last time. Greg Armstrong is the co-author of When We Was Fab - Inside The Beatles' Australasian Tour 1964. He takes us behind the scen…
American composer Caroline Shaw’s latest album, a collaboration with Sō Percussion, is called Rectangles and Circumstance. It’s a collection of ten songs run through with words by Emily Dickinson, Em…
This week on the Music Show, we take a look into the archives to an interview with the late, great Clive James. Andy spoke to Clive back in 2003 about what it was like writing for the song and the st…
Three authors on music from The Music Show archives.
Margaret Atwood spoke to Andrew Ford back in 2003, after the transformation of her novel The Handmaid’s Tale into an opera by Danish composer Pou…
The Music Show goes Deep Inside the Blues with photographer and writer Margo Cooper, who’s assembled a beautiful book of photographs and interviews with blues musicians from Chicago to the Mississipp…
Indie-rock veterans Deerhoof are set to make their first appearance in Australia in a decade, and drummer Greg Saunier joins us on The Music Show to discuss their journey. With a repertoire spanning …
Ziggy Ramo returns to The Music Show with a new album that’s more than just an album. Human? will be released later this year but right now the only way you can hear it is through QR codes in his boo…
Artist Jeremy Deller first made the connection between acid house music and brass bands back in 1995. The project that emerged, ACID BRASS, brings community bands together in raucous live events. Del…
Errollyn Wallen’s memoir Becoming a Composer is a look into the mind of the composer as well as the life of one. Born in Belize but now based in the far-flung north of Scotland, where she sometimes i…
Playwright, screenwriter, and actress Kate Mulvany has been commissioned with the task of writing the lost prologue for the first true English opera, Purcell’s Dido and Aeneas. She joins Andy on The …
Omar Musa is an author, artist, poet, and woodcutter making music and art from Borneo to Brooklyn. He is back in Australia to talk about his latest album The Fullness. His third album touches on the …
Australian tenor Stuart Skelton returns to The Music Show as he prepares to sing Mahler’s Song of the Earth (Das Lied von der Erde) with the Australian Chamber Orchestra. Looking over his increasingl…
00:54:05 |
Sat 18 May 2024
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