A lot of public radio stations are wringing their hands these days about podcasting. "Should we or shouldn't we," they wonder? Wyoming Public Radio's Caroline Ballard says "Yes!"
When is it okay to trespass and use secretly recorded phone calls while producing a story? Not often. But, producer Jack Rodolico remained ethical while skirting the edges of what's appropriate for h…
Sean Corcoran is a reporter's reporter. Straight-forward. Unbiased. Ethical. So why did he break some of his own rules on a story about opiate addiction?
Two more classics from Rob's vault of student-produced stories including one from 2003 by NPR's Gregory Warner, long before he became the network's east Africa correspondent.
How does your brain react when you drive through an intersection? Martine Powers answers that question and explains her clever sound design in her story "Driving In Circles."
It's rare when a reporter turns the mic on themselves. Stephanie Foo's essay "The Favorite" for This American Life is an excellent example of why it should happen more often.
When an interviewee is too nice, getting what you need as a reporter can be a challenge. Monika Blackwell relates how she navigated the "reporter/subject relationship" (& death of a rooster) during a…
Here's something you don't hear very often when talking about radio documentaries: magical realism. Producer David Weinberg talks about how he used magical realism in his doc "Grace of the Sea."
Transom Story Workshop student Sally Helm talks with Rob Rosenthal about learning the value of being skeptical and pushing back during interviews. Also featured in this episode, her excellent story a…
The Guardian has proven that podcasts from newspapers can be ear-catching -- great sound design and narrative. Producer Francesca Panetta talks about "The Biggest Story in the World."
Writing into tape is a necessity. Narration needs to lead to a quote. But, what about writing out of tape? Mose Buchele of KUT-FM in Austin has an uncommon approach.
Al Letson is fully dedicated to the journalistic work he produces at State of the Re:Union and Reveal, but deep down, he's still an artist. That's why he produces Errthang, a podcast.
NPR's Deborah Amos and Noah Adams recall their haunting, must-hear documentary from 1981 about mass suicide at "Jonestown," Guyana.
00:32:14 |
Tue 22 Sep 2015
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