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A citizen of the world, Cedric Noel has made his home in Montreal for the past five years. His musical influences are every bit as eclectic as his geographical background, result in songwriting that …
The press copy describes Factory Summers as Guy Delisle’s “most personal book.” It’s a strange phrase for a cartoonist whose work often tends toward the autobiographical — but it’s hard to ignore. Wh…
Fictional Father begins with an apology of a kind — or, at very least, an acknowledgement. Told as a self-effacing autobiographical strip, the preface notes the accidental similarity to the real life…
2017’s What I Found in a Thousand Towns finds Dar Williams tackling urban studies. It’s new territory for the singer-songwriter, but one that builds on decades of fascination with the small towns she…
“We are the apes that are starting to understand the universe and our place in it,” José González says in a statement released ahead of his latest album, Local Valley. The comment refers specifically…
This month, Numero Group issued I Shall Wear a Crown, an expansive five-LP set that explores the life and work of T. L. Barrett, a Chicago-based Pastor and musician. It’s a testament to the musical g…
The success of Azure Ray’s self-titled debut seemingly took everyone by surprise — not least the band itself. Following the breakup of their group Little Red Rocket, longtime friends Maria Taylor and…
Every time I speak to Mary Roach, I invariably get hung up on some minor detail — some story or person she’s teased out to unlock a fascinating new world. This time out, it’s the dried tiger penis la…
For 20 years, Ben Snakepit has been building a magnum opus. Day in, day out, the musician-turned-cartoonist draws another daily strip recounting a scene from his life. It’s rare bit of constancy in a…
It’s been a big couple of years for Shirley Manson — not something every artist can say, as a global pandemic stretches into its second year. Nor, is it something many bands can say staring down thei…
More than 30 years after Trots and Bonnie ended its decades-long run in National Lampoon, the strip finally gets a worthy collection. Shary Flenniken has moved on from the work in more ways that one,…
When the interview suggested he might be a spiritual person, Ben Chasny blanched, explaining, “I'm actually a total nihilist.”Sixteen years later, he confesses that the answer was contrarian to a fau…
My Begging Chart finds Keiler Roberts exploring the in between moments. She’s content to mind the little things that would not only find their way on the cutting room floor of most memoir, but might …
When it comes time to record, Laura Stevenson is honest to a fault. 2019’s The Big Freeze may well have been her most personal record to date, but the album has nothing on her recently released self-…
The way Mike Doughty tells it, it’s a bit of a minor miracle Soul Coughing lasted for eight years. It was long enough, however, to generate three LPs, a handful of alternative rock radio hits and eno…
The latest issue of The Nation — a double-issue on the subject of utopias — features a sprawling cover illustration by Michael DeForge. A group of smiling people are making art, making dinner, making…
Even among a list of peers that includes names titles like Eightball and Hate, there’s a strong case to be made that Love and Rockets is the most influential comic of its generation. It’s a fact that…
“I know that I literally wrote the best book about pencil sharpening techniques that has ever existed or ever will exist,” David Rees explains, confidently. It’s a hard claim to refute. Rees knows a …
The pandemic found Lou Barlow enamored with a surprising new creative outlet. The musician took to social media like Instagram and YouTube, playing songs, performing covers and celebrating holidays w…