Piksa Niugini by Stephen Dupont, with forward by Robert Gardner and essay by Bob Connolly, is published by the Peabody Press and Radius Books, (2013). Volume 1: 144 pages, 80 duotone, 6 color images.…
How is the notion of the avant-garde in art relevant today? What can contemporary social movements learn from the Situationists? What is the meaning of artistic value to forms of resistance? These, a…
The New Yorkers by Robert Herman, with an introduction by Sean Corcoran, Curator of Prints and Photographs at the City Museum of New York, is published by Proof Positive Press (2015). Robert Herman i…
“Any sufficiently advanced technology is indistinguishable from magic.”
Clarke’s third law, coined in 1973, expresses the difficulty that people of any era have in reconciling the bounds of current …
Since 2007, American photographer Jade Doskow has been documenting the remains of World’s Fair sites, once iconic global attractions that have often been repurposed for less noble aspirations or negl…
Alfred S. Posamentier and Robert Geretschlager, The Circle: A Mathematical Exploration Beyond the Line (Prometheus Books, 2016) goes considerably beyond what its modest title would suggest. The circl…
The Resolution of the Suspect by Israeli photographer Miki Kratsman, with text by Ariella Azoulay, is co-published by the Peabody Museum Press at Harvard and Radius Books of Santa Fe, NM (2016). Mr. …
Stephen Lee Naish first became aware of Dennis Hopper watching David Lynch’s Blue Velvet, jumpstarting what would become a long examination of Hopper’s ambitions and creative output as an actor, film…
There is a long history in philosophy, art and religion of claims about the ineffable from The One in Plotinus to Kant’s noumena or thing-in-itself to Wittgenstein’s famous remark at the end of Tract…
Morgan Pitelka’s new book looks closely at the material culture of the Three Unifiers of the late sixteenth century in Japan– Oda Nobunaga, Toyotomi Hideyoshi, and Tokugawa Ieyasu–in order to foregro…
Cuban artists have been very productive this past decade, producing stunning and surprising works against a backdrop of political and economic transformation as well as continuing scarcity on the isl…
Paul Roquet’s wonderful new book begins with an offering of jellyfish and proceeds to teach us how to read the air. Ambient Media: Japanese Atmospheres of Self (University of Minnesota Press, 2016) l…
In Ben Shahn’s New Deal Murals: Jewish Identity in the American Scene (Wayne State University Press, 2015), Diana L. Linden, an art historian of American art based in Claremont, California, explores …
The struggle for representation within the art museum is the focus of a timely and important new book by Susan Cahan, Associate Dean for the Arts at Yale College. Mounting Frustration: The Art Museum…
Kevin Bubriski, a New Englander and internationally acclaimed photographer, was a freelance photojournalist when he first arrived in New Mexico in 1981 to study filmmaking in Santa Fe. Bubriski recal…
The Hidden South–Come Home (Beaver’s Pond Press, 2016) is the result of an ongoing project that documents intimate stories of people who are often overlooked in society. Photographer and author Brent…
Could the Qur’an–understood, according to Muslims, as the verbatim word of God in Arabic–acquire a nationality? Specifically, could it be American? And written in English? Contemporary visual artist …
Nude Reagan (Spurl Editions, 2016) is John Brian King’s second book of photography. His first book, LAX: Photographs of Los Angeles 1980-84, was published by Spurl Editions in 2015. For his most rece…
What’s Going On? 1969 -1974 (Lighted Square Media, 2015) is Ken Light‘s ninth book. Ken started his professional life as a photojournalist at his college newspaper in 1969 and has developed a career …
The Monk’s Haggadah: A Fifteenth-Century Illuminated Codex from the Monastery of Tegernsee (Penn State UP, 2015) is unique. The book, edited by David Stern, Christoph Markschies, and Sarit Shalev-Eyn…
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Wed 20 Apr 2016
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