What is creativity? What is the relationship between work life and personal life? How is it possible to live truthfully in a world of contradiction and compromise? These deep and deeply personal ques…
Befitting an art history book, Erin Schoneveld’s Shirakaba and Japanese Modernism: Art Magazines, Artistic Collectives, and the Early Avant-Garde (Brill, 2018) is a beautifully packaged analysis of t…
We’ve all heard that a picture is worth a thousand words, but what if we don’t understand what we’re looking at? Social media has made charts, infographics, and diagrams ubiquitous―and easier to shar…
In the arc of Soviet history, few government programs were as tenacious as the anti-religious campaign, which systematically set out to debunk organized religion as "the opium of the people." This po…
From the pyramids of Giza, to quasicrystals, to the proportions of the human face, the golden ratio has an infinite capacity to generate shapes with exquisite properties. This book invites you to tak…
What is the future of the museum? In The Art Museum Redefined: Power, Opportunity, and Community Engagement (Palgrave Macmillan, 2020), Johanna Taylor, an assistant professor at the Herberger Institu…
Noelle Giuffrida’s book, Separating Sheep from Goats: Sherman E. Lee and Chinese Art Collecting in Postwar America (University of California Press, 2018), tells the history of collecting and exhibiti…
As you may know, university presses publish a lot of good books. In fact, they publish thousands of them every year. They are different from most trade books in that most of them are what you might c…
The things that make people academics -- as deep fascination with some arcane subject, often bordering on obsession, and a comfort with the solitude that developing expertise requires -- do not neces…
What’s the first image that comes to mind when you hear the words “Paris” and “photography”? Is it a famous photo, perhaps an Atget, Brassai, or Doisneau? In her new book, Paris and the Cliché of His…
The images featured in Splashes (RVB Press, 2018) are characteristic of Gabriel Jones’ approach to making images by capturing the “backdrop”, things behind the original subject. There is a performati…
How did American elites change the meaning of Art? In Entitled: Discriminating Tastes and the Expansion of the Arts (Princeton University Press, 2019), Jennifer C. Lena, associate professor of arts a…
In her book, The Caesar of Paris: Napoleon Bonaparte, Rome, and the Artistic Obsession That Shaped An Empire (Pegasus Books, 2018), Susan Jaques offers up a richly detailed and researched account of…
In Changing Saudi Arabia, Art, Culture and Society in the Kingdom (Lynne Rienner, 2019), Sean Foley offers eye-opening insights into a changing society that is under the international magnifying glas…
In this segment of New Books in History, Jana Byars talks with Elizabeth “Libby” Otto, Associate Professor of Art History and Visual Studies and Executive Director of the Humanities Institute at the …
A work of art about doing nothing; a work of art that invites people to take it apart; a work of art that consists of two people walking in a town in the Dominican Republic. These are just some examp…
The Genji Album (1510) in the Harvard Art Museums is the oldest dated set of Genji illustrations known to exist. In The Tale of Genji. A Visual Companion, published by Princeton University Press in 2…
If there’s one thing that conjures up the – rightly contested – idea of a ‘civilisation’, it is grand palatial or religious buildings, and many such structures are foremost in how China is imagined t…
The metaphor “object lesson” is a familiar one, still in everyday use. But what exactly does the metaphor refer to?
In her book Object Lessons: How Nineteenth-Century Americans Learned to Make Sense …
“Fashion is universal,” writes my guest Kimberly Alexander in her book Treasures Afoot: Shoe Stories from the Georgian Era (Johns Hopkins UP, 2018), “enabling historians across time, place, and cultu…
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Wed 26 Jun 2019
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