Often referred to as “the Russian Leonardo”, religious philosopher and Orthodox parish priest Pavel Florensky was a pivotal figure in the Russian religious renaissance at the turn of the 20th century…
Working Aesthetics: Labour, Art and Capitalism (Bloomsbury Academic, 2019) is the story of art and work under contemporary capitalism. Whilst labour used to be regarded as an unattractive subject for…
What does it mean to tie your cloth to that of another person, as in the Ghanaian tradition, or to be in full dress? How is fashion photography in a colonial and decolonial context more than just a "…
Inseparable from its communities, Northwest Coast art functions aesthetically and performatively beyond the scope of non-Indigenous scholarship, from demonstrating kinship connections to manifesting …
The Art of Experiment: Post-Pandemic Knowledge Practices for 21st-Century Architecture and Design (Routledge, 2020) is a handbook for navigating our troubled and precarious times. In search of new kn…
Churches have long sought the arts as a vehicle to communicate divine transcendence and to form worshipers. In Glimpses of the New Creation: Worship and the Formative Power of the Arts (Eerdmans, 201…
Family stories are the texture of the human fabric. From every land, from every time, they bring the past to life for young ears.
In the beginning of the twentieth century, when there were no borders…
Key to the revolutionary ideas of 19th century Italian modernist sculptor Medardo Rosso are his materials and technique. But for a long time, scholars and experts on his work took little time to trul…
In Warhol's Mother's Pantry: Art America and the Mom in Pop (Mad Creek Press, 2020), M.I. Devine introduces readers to a collection of 21st-century multi-genre essays inspired by Andy Warhol's mother…
In Visual Worlds: Looking, Images, Visual Disciplines (Oxford University Press, 2020), James Elkins and Erna Fiorentini provide a full introduction to the visual world across all the fields that theo…
In 2015, the Islamic State released a video of men smashing sculptures in Iraq’s Mosul Museum as part of a mission to cleanse the world of idolatry. The Idols of ISIS: From Assyria to the Internet (U…
Scientists have scientific reason and use the scientific method. Humanists have... Emotion? Close reading? Not so, argues Eric Hayot in
Humanist Reason: A History. An Argument. A Plan (Columbia UP, 2…
In Material Transfers: Metaphor, Craft, and Place in Contemporary Architecture (Monacelli Press, 2020), architect, architectural historian, and preservationist Françoise Bollack presents eighteen pro…
John Heilbron, professor of history and vice-chancellor emeritus of the University of California, Berkeley, is one of our most distinguished - and prolific - historians of science. His latest book, T…
How do we think about situations and things do not exist but might, engage in pretense and fiction, and create new works of art? These are central cases in which we’re using our imaginations, but wha…
This ambitious work explores the literary and cultural production about Russian peasants and African Americans in the post-emancipation period. Brickell Bellows draws on visual images from advertisem…
Morton Schoolman, Professor in the Rockefeller College of Public Affairs and Policy at the State University of New York at Albany, has published a new book that explores the idea of democratic enligh…
Everyone will lose someone they love at some point in their life; a spouse, a parent, or a child. Having to deal with the clothes or personal effects that remain can be a heartbreaking experience. It…
Today we are joined by Fiona Greenland, Assistant Professor of Sociology at the University of Virginia, to talk about her new book, Ruling Culture: Art Police, Tomb Raiders, and the Rise of Cultural …
There has recently been a sharp increase in cases where corporations have been sued by street and graffiti artists because their artworks had been used and exploited without the artists’ authorizatio…
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Thu 25 Feb 2021
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