Before the invention of the gummed envelope in the 1830s, how did people secure their private letters? The answer is letterlocking—the ingenious process of securing a letter using a combination of fo…
Join me for conversation with Dr. Jaleh Mansoor (Associate Professor of Art History in the Department of Art History, Visual Art, and Theory, University of British Columbia) about her book Universal …
A richly illustrated account of how premodern botanical illustrations document evolving knowledge about plants and the ways they were studied in the past.
Botanical Icons: Critical Practices of Illus…
Transposed Memory: Visual Sites of National Recollection in 20th and 21st Century East Asia (Brill, 2024) explores the visual culture of national recollection in modern and contemporary East Asia by …
Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril.
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Linking histories of women, relationships to the natural environment, material culture and art, in Embroidering the Landscape: Women, Art and the Environment in British North America, 1740–1770 (Lund…
When it comes to Confederate monuments, there is no common ground. Polarizing debates over their meaning have intensified into legislative maneuvering to preserve the statues, legal battles to remove…
Japanese comics, commonly known as manga, are a global sensation. Critics, scholars, and everyday readers have often viewed this artform through an Orientalist framework, treating manga as the exotic…
Magic and Divination in Malay Illustrated Manuscripts (Brill, 2015) offers an integrated study of the texts and images of illustrated Malay manuscripts on magic and divination from private and public…
Jesus' Crown of Thorns has become one of the most ubiquitous features of Christian religious art, but was the original crown anything like the crown of popular medieval art and piety? The image conju…
Confessional Video Art and Subjectivity Private Experiences in Public Spaces (Bloomsbury, 2025) examines the development of the confessional subject in video art and demonstrates how it can provide a…
Leonardo da Vinci (1452–1519) never signed a painting, and none of his supposed self-portraits can be securely ascribed to his hand. He revealed next to nothing about his life in his extensive writin…
Art has long played a key role in constructing how people understand and imagine America. Starting with contemporary controversies over public monuments in the United States, in Temporary Monuments: …
Eufrasia Burlamacchi (Getty Publications and Lund Humphries, 2025) by Dr. Loretta Vandi is a timely exploration of the skilful illuminated manuscripts of Sister Eufrasia Burlamacchi (1478–1548) demon…
When the Safavid dynasty, founded in 1501, built a state that championed Iranian identity and Twelver Shi’ism, it prompted the more established Ottoman Empire to align itself definitively with Sunni …
How do we best see and understand the art of late antiquity? One of the perceived challenges of so doing is that this is a period whose visual production has been defined as stylistically abstract an…
Over the past decade Micaiah Carter has established himself as one of the most exciting and admired young photographers working in the field of portraiture and fashion. With a vision all his own, Car…
From Cape Town to Bristol and Richmond, statues have become sites of resistance and contestation of our imperial past and postcolonial present. The Psychic Lives of Statues by Rahul Rao offers an ins…
There is a pervasive stereotype of tattoo culture as relating to an underworld of scoundrels, sailors, and ne’er-do-wells, yet it has existed in the West as a professionalized art practice for centur…
Painting US Empire: Nineteenth-Century Art and Its Legacies (University of Chicago Press, 2025) by Dr. Maggie Cao is the first book to offer a synthetic account of art and US imperialism around the g…
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Fri 14 Mar 2025
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