A filmmaker and a writer tackle the AFI's Top 100 Films and beyond to educate themselves about movies and storytelling. Welcome to Film School!
The cat has a new kitten...
Hitch and Grace Kelly team up again, this time with Cary Grant swapped in for Jimmy Stewart, and the vast, gorgeous French Riviera rather than a single, confined apartment…
Back in Ira's DJing days, he put together literally hundreds of sets. An interesting pattern developed during that time: no matter how much his skill increased as he went (and it did), some sets just…
That's a secret, private world you're looking into out there...
It's Hitchcock's first true classic. Jimmy Stewart and Grace Kelly star in one of the crime film concepts for the ages: a man is laid u…
The feedback loop is at the heart of developing any skill. But, the vast majority of the work we do as storytellers is done alone. So, where and when do you open yourself up for other people to comme…
Do you really believe in the perfect murder...?
Hitchcock certainly does! This time, it's a man who wants to knock off his cheating wife. Can he get away with it??? Or can the old school, meticulous,…
Have you ever thought of your script, book, or film as a persuasive argument? It is. Drama quite literally arises from two (or several) characters with very different, very persuasive points of view …
I want to make a confession...
Hitchcock has a nose for a character in a bind, and that's on full display with this one, where a priest takes confession from a murderer, then becomes the main suspect…
So, you've heard about a movie that has MULTIPLE endings. Maybe they're in the actual film, maybe they're extras on the DVD, or maybe they're just rumors and old scripts. What place do those hold in …
You do my murder, and I do yours...
We might best know Patricia Highsmith from The Talented Mr. Ripley, but Strangers on a Train was her shocking debut novel, and folks: it slaps even as a movie, and…
Off with their head! Sometimes, a character has to die. But, when are those times? When is it right for the audience or the reader to kill a character? Are there rules, or at least guidelines, around…
Go or don't go, it's all the same. I thought you loved me...
Hitchcock teams up with legend of the silent era Marlene Dietrich as a stage actress who's murdered her husband and enlisted her lover's h…
In seventeen-hundred and seventy, Captain Cook discovered Australia...
Hitchcock tries his hand at the high-brow romantic drama of a young man falling in love with a once-glorious woman now living in…
Bestseller. Top of the Box Office. Hit TV show. Oscar. Millions...success will fix everything, right? I mean, it's literally what we're chasing so hard, the tippy top of our dreams, how could it poss…
Murder can be an art, too...
So, Hitchcock is doing some THINGS. He's out on his own away from Selznick for the first time in Hollywood, and he's come out with a big swing: can we shoot a movie with …
You've probably heard this before: there is no ONE WAY to be a writer. Or a filmmaker. Or an actor, or a painter, or a dancer, or a sculptor...the possibilities, personalities, and pathways are endle…
I loved Andre Latour, and you murdered him...
It's the last rodeo for Alfred Hitchcock and David O. Selznick, the last time the two work together. And this time, it's written by the producer himself.…
What's the best way to work: burst energy, get it out as hard and fast as you possibly can go go go don't stop...or slow and steady, this is a marathon not a sprint, and you can't just drop everythin…
Say it again, it keeps me awake. ...I love you...
Ingrid Bergman and Hitchcock go back to back! This time its Cary Grant she teams up with, in a tale of international espionage, manipulation, uranium…
On this podcast, we've talked before about BAD habits and how to break them. But what about GOOD habits? What about that stuff that we know we SHOULD be doing, but it's hard to get going? Josh and Ir…