Credit Offset
As the lights come up during the credits Chay Collins turns to you and expresses something they personally found interesting or affecting about the film.
A Podcast by Chay Collins
Logo by Ross Becker http://www.rossbecker.co.uk/
- Update frequency
- every 4 days
- Episodes
- 79
- Years Active
- 2016 - 2020
39 – Oki’s Movie
Chay discusses the most basic of film language – Cuts.
Films mentioned in order:
Oki’s Movie (Sang-soo Hong, 2010)
38 – Mad Detective
Chay discusses a want for a film to be a TV series.
Films mentioned in order:
Mad Detective (Johnnie To & Ka-Fai Wai, 2007)
Starbuck (Ken Scott, 2011)
37 – Tangerine
Chay went to the ICO’s event The ‘D’ word on diversity in film programming. They briefly ramble about that and the democratisation of film production.
Films mentioned in order:
Beyond the Lights (Gin…
36 – Senna
Chay discusses their dislike for how the film form of Formula 1 has evolved.
Films mentioned in order:
Senna (Asif Kapadia, 2010)
35 – Masculin féminin
Chay discusses the truley shocking end of Masculin féminin
Films mentioned in order:
Masculin féminin (Jean-Luc Godard, 1966)
34 – Yes Man
Chay’s back, they’re saying yes.
Films mentioned in order:
Yes Man (Peyton Reed, 2008)
33 – Juno
Chay talks about feeling down. (Taking a small break whilst I move and reorganise and thought I’d end for the time being on a nice down note, like all the best films)
Films mentioned in order:
S…
32 – Symbiopsychotaxiplasm: Take One
Chay tries to discuss what keeps Symbiopsychotaxiplasm together
Films mentioned in order:
Symbiopsychotaxiplasm: Take One (William Greaves, 1968)
31 – News from Home
Chay discusses feeling mediative.
News from Home (Chantal Ackerman, 1977)
Samsara (Ron Fricke, 2011)
Mad Max: Fury Road (George Miller, 2015)
30 – Anna Karenina
Chay discusses choreographed office scenes.
Films mentioned in order:
Anna Karenina (Joe Wright, 2012)
Brazil (Terry Gilliam, 1985)
One, Two, Three (Billy Wilder, 1961)
The Producers (Susan Stroman, …
29 – An Autumn Afternoon
Chay discusses how you can hate a director’s style and then love it.
Films mentioned in order:
Tokyo Story (Yasujirô Ozu, 1953)
An Autumn Afternoon (Yasujirô Ozu, 1962)
Rashômon (Akira Kurosawa, 195…
28 – The Stranger
Chay discusses a film going beyond the vocabulary of cinema.
Films mentioned in order:
The Stranger (Satyajit Ray, 1991)
27 – L’argent
Chay discusses how slowness and stillness hides the pain.
Films mentioned in order:
L’argent (Robert Bresson, 1983)
Jeanne Dielman, 23 Commerce Quay, 1080 Brussels (Chantal Akerman, 1975)
26 – Inherent Vice
Chay discusses how Inherent Vice tells us what we need to know
Films mentioned in order:
Inherent Vice (Paul Thomas Anderson, 2014)
25 – Zabriske Point
Chay discusses their experiences with movie marathons.
Films mentioned in order:
Chinatown (Roman Polanski, 1974)
The Naked Gun: From the Files of Police Squad (David Zucker, 1988)
The Big Lebowski (…
24 – The Long Goodbye
Chay discusses films that make you want to participate in taking drugs through an empathetic association.
Films mentioned in order:
The Long Goodbye (Robert Altman, 1973)
Inherent Vice (Paul Thomas A…
23 – The Big Lebowski
Chay discusses a parodic moment done right
Films mentioned in order:
The Big Lebowski (Joel & Ethan Coen, 1998)
22 – The Naked Gun: From the Files of Police Squad
Chay discusses when laughter isn’t infectious
Films mentioned in order:
The Naked Gun: From the Files of Police Squad (David Zucker, 1988)
21 – Chinatown
Chay discusses minor characters
Films mentioned in order:
Chinatown (Roman Polanski, 1974)
20 – Citizenfour
Chay discusses watching a film with a dirty screen
Films mentioned in order:
Citizenfour (Laura Poitras, 2014)
Her (Spike Jonze, 2013)
The Great Beauty (Paolo Sorrentino, 2013)
Napoleon (Abel Gance, …