Two middle-aged cinephiles discuss one film a week.
William Friedkin’s 2003 sleeper knife-porn action thriller is up for discussion. We go into the survivalist/tracker tech advisor Tom Brown, Tommy Lee Jones & Benicio Del Toro, if the lean & mean pace…
Jonathan Kaplan’s 1979 teenage rebellion film, OVER THE EDGE, is on the table. Hoch and Chad are on opposing sides of this kid vs adults story. We get into the influence on Dazed & Confused, the insp…
Tobe Hooper & Steven Spielberg’s 1982 suburban haunted house film, POLTERGIEST, is up for discussion. Who really directed this film? Hooper or Spielberg? We dive deep into this debate, and more! Tune…
John Carpenter’s 1980 pirate ghost movie THE FOG is up this week. We talk the central coast of California location, the mood & style, Cinematographer Dean Cundey, why this ISN’T one of Carpenter’s “l…
Jorge Grau’s 1974 moody zombie film is up for discussion this week. We talk how the film is a transitional movie between Romero and Italian splatter pictures, special FX guru Giannetto De Rossi, the …
Ken Russell’s 1971 blasphemous horror of surrealism is on deck for discussion. We talk about all the controversy surrounding the film, Oliver Reed’s performance, the set design, horrific imagery, and…
Rob Zombie’s debut film from 2003 is up this week. We dive into House of 1000 Corpses and all it’s hyper-stylized glory. The production issues, it’s delayed release, the one-liner dialogue, Captain S…
Joe Dante’s 1981 werewolf film, THE HOWLING, is up for discussion. We discuss Dante’s involvement, the FX of Rob Bottin, why 1981 is the year of the werewolf film, John Sayles’ screenplay, and so muc…
Andrew Fleming’s 1996 film, THE CRAFT, is our feature presentation this week. We talk the cast, the kickoff of the 90s Horror Revival, having a real witch on set, and more. We also talk our favorite …
Wes Craven’s 1981 transitional religious horror film, DEADLY BLESSING, is up for discussion. We talk the controversial ending, the film’s influential moments, style over story, Michael Berryman, Shar…
Brian De Palma’s 1984 erotic thriller is on the table this week. We discuss the erotic thriller genre, accusations of misogyny against De Palma’s film work, violence and De Palma, as well as his figh…
George Lucas’ 1973 coming-of-age cruising film, American Graffiti is our focus this week. We talk about Lucas as a filmmaker, early 60s car culture, the radio as a character, the influence of the fil…
Jonathan Mostow’s 1997 suspense thriller starring Kurt Russell searching for his missing wife is up for discussion. We talk Kurt’s intensity, the late great character actor JT Walsh, the 90s thriller…
This week Mark Rydell’s 1981 film, On Golden Pond is up. We talk Jane Fonda acting opposite her father Henry Fonda and how the film mirrored their rocky real life relationship. We also discuss the Ka…
This week Curtis Hanson’s 1994 river thriller, The River Wild is in our sights. We talk Meryl Streep, the birth of 6 Degrees of Kevin Bacon, the stunts, the plot holes, and so much more. Let’s hit th…
This week we dip into the childhood nostalgia that is 1993’s THE SANDLOT from writer/director David Mickey Evans. We discuss the iconic dialogue, the baseball history, the story behind the story, and…
Finally, the Broken VCR returns and this week we honor James Caan with a discussion all about Michael Mann's 1981 film debut, THIEF. We dive into the criminal craftsmanship, the look and feel of Chic…
Roger Corman’s psychedelic 1967 freak out, THE TRIP, is up. We talk Peter Fonda’s bad acting and why it’s good, capturing psychedelics through the filmmaking, the prelude to Easy Rider, Roger Corman’…
The 1999 film, GO, is up for discussion this week. We talk capturing a certain time in the late 90s, Rave Culture, Doug Liman, the Pulp Fiction rip off subgenre, the young cast, story and much more.
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This week writer/director Ron Shelton’s 1988 baseball movie, Bull Durham, is up to bat. We talk Shelton’s sports anthology, Baseball films, Kevin Costner, Mickey Mantle’s reaction to the film, Susan …