When phantom power was first invented, it was designed so that any mic that didn't need it wouldn't be affected by it. So why do we now worry about switching it off?
How do you describe a microphone's position in relation to the voice or instrument it is recording or amplifying? Perhaps we need a new word in our vocabulary.
Microphones are the most inconsistent products in the whole of audio (apart from loudspeakers that is!). But why do they sound different? Isn't there such a thing as the perfect mic?
An Audio Masterclass website visitor asks what are the first and last things you should do in a mixing session? Well, that's not the average question, but we do have some answers...
Microphone pops are an unpleasant side effect of recording. It's best to avoid them in the first place, but what if someone sends you a poppy vocal recording to fix?
Should you judge your recordings and mixes purely on what you hear from your monitors, or would an equalizer in the monitoring chain help?
00:04:25 |
Thu 12 Sep 2019
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