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When it comes to AI, I've made it pretty clear where I stand. I believe we are seeing the transition away from specialization and back to generalization when it comes to the value we bring to the workplace. And AI is only accelerating this process. As creatives, we can choose to embrace the possibilities of what AI can offer us while doubling down on our unique zone of genius that sets us apart from the machines or we can choose to be left behind.
At last year's EditFest, I was one of 4 panelists invited to talk about the convergence of AI with the creative process, particularly related to the art of editing. My fellow distinguished panelists were Jon Dudkowski, ACE Editor (Star Trek Discovery, Umbrella Academy, Man in the High Castle) ; Chad Nelson, producer and creator of Critterz, an AI-generated short film; and Cristobal Valenzuela, co-founder and CEO of Runway (and named one of the top 100 most influential people in AI by Time magazine). The panel was moderated by Carolyn Giardina, tech editor at The Hollywood Reporter.
I was honored to be part of a panel on this important topic and I am immensely appreciative to EditFest and Jenni McCormick for giving me permission to publish the talk here for all of you to experience. Please enjoy the 2023 EditFest Panel, Artificial Intelligence: Exploring the Technology and It's Impact on the Art of Editing.
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The Age of Spiritual Machines: When Computers Exceed Human Intelligence by Ray Kurzweil
匚尺丨ㄒㄒ乇尺乙 — An animated short created with AI
Ep233: Redefining Your Career Path in a Post Generational Society | with Mauro Guillén
Ep85: Mentorship, Networking, and Surviving Hollywood Blockbusters | with Dody Dorn, ACE
The Creativity Code: Art and Innovation in the Age of AI by Marcus Du Sautoy
Ep214: What Creativity Is, How It Works, and the Laws to Learning It | with Joey Cofone
Mastermind Q&A: How to Successfully Be a “Specialized Generalist” | with Michael Addis
This episode was edited by Curtis Fritsch, and the show notes were prepared by Debby Germino and published by Glen McNiel.
The original music in the opening and closing of the show is courtesy of Joe Trapanese (who is quite possibly one of the most talented composers on the face of the planet).