Slow Memory in Curatorial Work

Susana Gomes da Silva, coordinator of Education at the Modern Art Museum, from the Gulbenkian Foundation in Lisbon, Portugal; Blerta Hoçia, a curator from the Humanitarian Law Center, based in Kosovo; and Professor Vicky Karaiskou, from the Open University of Cyprus, delve into the meanings of slow curating and what slow curating has entailed in their curatorial work. Against the backdrop of the times of acceleration, they discuss slow curating – as an approach and a method – to critically explore the entanglements of material, affective, and nonhuman worlds. Inquiring into the curatorial domain through the slow memory lens, they pursue an ethical framework challenging representations of the fast-paced and anthropocentric agency.

Read by: 

Vjollca Krasniqi

Isabel Machado Alexandre 

Alice Semedo

Music by Maksym Dudchyk and UNIVERSFIELD from Pixabay

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