Hello, and welcome to another episode of The Good, The Bad, and The What!? The show in which we discuss three films that we have deemed "good," "bad," or "what!?" within a subgenre, theme, motif, director or actor's filmography, and more!
This week, Chris and Ryan dive into three films in a niche subgenre of horror (or horror-adjacent) films in which a soldier returns home, though are not who they claim they are. We start with Adam Wingard's contemporary cult-classic "The Guest" from 2014, a film that both wears its genre pastiche on its sleeve and elevates it above being a string of references with an assured tone, excellent performances, a banger soundtrack, and a palpable sense of loss. Then, we move into a bonkers VHS oddity from 1992 with "The Divine Enforcer," a incredibad experience in which the two top-billed actors (Erik Estrada and Jan-Michael Vincent) never get up from their chairs. Finally, we move into Bob Clark's second feature with 1974's "Deathdream" aka "Dead of Night," that at times feels like a Made for TV drama, but a damn good, eerie one.
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