Prentiss L. Thompson talks through what Tom-tom drums present. I think for most people the best tom sound can be achieved with a dynamic microphone. The techniques: Classic Method: Place the mic 2 or 3 inches over the head and above the rim, positioned at a 45 degree angle and aimed at the center of the head. This will get the most attack. For less attack and more ring, try pointing the mic closer to the rim.
Again, the workhorse 57 makes an appearance. A common choice for toms, the mic seems to emphasize the attack and slap of the toms thanks to its mid boost, though it lacks some of the warmth of the tone that other mics provide. Not a bad choice if you need your toms to cut and “bark.” If the drum you are miking lacks sustain.
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