- 00.03 - Good Morning Christopher
- 00.26 - James can leave anytime
- 01:20 - Cleo and Phoenix Cat bake themselves
- 01:56 - This is not a cat show, it's about art!
- 02:07 - James insists on discussing "Gene-Michael Basket"
- 02:56 - Catherine just likes the hair
- 03:06 - James finds zero resonance in the consistent scribble
- 04:15 - Christopher relives discovering Basquiat in Venice Beach
- 04:27 - Basquiat Doc Marten's don't cost millions
- 05:00 - Christopher discusses Brooklyn graffiti and Phoenix murals
- 06:05 - SAMO: Same Old Bullshit
- 07:55 - Tagging walls, developing his style
- 09:00 - Youthful angst and "Irony of a Negro Policeman"
- 09:00 - James feels bullied
- 10:30 - Dadaism explains it all
- 11:00 - "Self Portrait" 1984, Acrylic and oil stick on paper
- 12:00 - "Riding With Death" 1988, Acrylic, crayon, canvas
- 12:37 - Heroine-house field trip
- 13:25 - Dio de los Muertes and Catherine's skeleton study
- 14:30 - James remains unconvinced and unimpressed
- 17:06 - Film "Basquiat", 1996
- 17:46 - Enveloped into the Factory
- 18:20 - Warhol, the "King of Marketing"
- 19:00 - It's celebrity vs the work, benefactors vs "smack schmuck"
- 19:40 - James remains unconnected to Basquiat's work
- 20:07 - Sotherby's marketing: "How Jean-Michel Basquiat Turned Art History on Its Head"
- 20:25 - Christopher admits to being a "heavy doodler"
- 21:27 - James agrees with Basquiat on painting/sketching continuum
- 22:06 - James likes the "heads", finally says something nice!
- 22:50 - Lots of balls in his work
- 23:45 - Catherine remains "sucked in" after 20 yrs
- 24:29 - Galleries of New York City vs. James approval
- 25:30 - Christopher's philosophy on "drug-influenced art"
- 27:20 - James deconstructs art politics and how artists are "chosen"
- 29:48 - The calculated wrath of SAMO "Jean-Michel Basquiat and the Birth of SAMO"
- 31:35 - James scores a "fake it til you make it" point
- 32:40 - Christopher brings it home with Al Diaz
- 36:40 - More to discuss on Basquiat, Catherine can't stop