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Youâve got the perfect mic, your preamps are pure magic, and the roomâs been acoustically treated to perfection. But then... WHOOOOSH! Your HVAC system sounds like itâs trying to join your band. Not ideal when you're trying to record a delicate vocal track or a whispery acoustic guitar.
Welcome to the world of soundproof HVAC design, where the air flows silently, like a ninja in socks. Today, weâre diving deep (but quietly) into one of the most overlooked parts of studio design: air speed.
Letâs break it down with some laughs, some math, and some very real solutions (and no, duct tape isnât one of them).
Hereâs the problem: air that moves too fast gets noisy. Really noisy. Like "is that a snake in the ceiling?" noisy.
So how do we fix it?
We follow the golden rule of studio HVAC design:
Keep that air speed below 300 FPM (Feet Per Minute).
And never, ever go above 500 FPM unless you want your vents to start beatboxing.
Letâs get nerdy for a sec (donât worry, no pop quiz).
CFM (Cubic Feet per Minute)Â = how much air is moving.
FPM (Feet per Minute)Â = how fast the air is moving.
Think of it like this:
CFM is how much pizza you're delivering.
FPM is how fast you're driving the pizza to the studio.
Too fast? Pizza toppings everywhere.
Too loud? You ruin the take.
Letâs say your studio is 400 square feet with a 9.5-foot ceiling. Thatâs 3,800 cubic feet of air.
Now use this formula:
Room Volume Ă 6 Air Changes / 60 Minutes = Required CFMÂ
So, in our example:
3,800 Ă 6 / 60 = 380 CFM
Congrats! You just earned your HVAC math badge. đď¸
If youâve never heard of a Ductulator, no, itâs not a lost Marvel character.
Itâs a tool (free online) where you plug in your airflow (CFM) and desired air speed (FPM), and it tells you what duct size you need.
Pro Tip:
Set your max air velocity to 300 FPM in the calculator.
Put in your CFM (e.g., 380).
Boom! Now you know the duct size that keeps your air whisper-level quiet.
You know what doesnât make noise?
Ductless mini-split systems.
Theyâre sleek, quiet, and perfect for home studios. Plus, they donât blow air through ducts, so no air speed drama. Pair them with an Energy Recovery Ventilator (ERV) and youâve got both temperature control and fresh air.
Now, letâs talk ventilation.
People need oxygen (shocking, we know). So if your studio gets packed with your band, their gear, and one overenthusiastic producer, you need to ventilate that air out.
Use this rule:
15 CFM per person
So if 10 people are in the room (maybe you're recording a choir or hosting a very cozy podcast), thatâs 150 CFM just for ventilation.
If your system only supplies air but doesnât return it, you create negative pressure.
Translation: your studio becomes a vacuum cleaner trying to suck in sound from the rest of the house.
Solution: Always design both supply and return ducts. Balance is everything (ask any audio engineer or Jedi).
Designing HVAC for a home studio is a lot like mixing a great songâitâs all about balance and detail. The right air speed makes sure your HVAC system doesnât become an unexpected backup vocalist.
So remember:
Keep air speed under 300 FPM
Use a ductulator to size your ducts
Go ductless if you can
And donât forget to ventilate for actual humans
Need help making all this real for your studio?
đ Book a Soundproof Clarity Call
Or jump into our Free Soundproofing Workshop to learn more about designing quiet, high-performance studios.
P.S. If your HVAC sounds like Darth Vader during your takes... itâs time to revisit your duct design. Your ears (and clients) will thank you.