Debuting at Sundance '24, Daniel Barosa's BOI DE CONCHAS begins as Brazil attempts to navigate intense crises in their social, political and economic spheres. As emotional distancing has become normalized, the nation's teens face depression on epidemic levels. However, things become more disturbing as cases of missing teenagers begins to mount, amidst the rumours that they're turning into oxen. In this 1on1, we speak to Barosa about the relationship between generational delusionment and generalized depression and finding your voice.