Seen Five - Rear Window (1954)

Scene It Lately – Episode Five: Rear Window (1954)

Alfred Hitchcock takes the director’s chair, and we take the binoculars for this deep dive into Rear Window (1954). In this episode, Jason and Dave break down the suspense, cinematography, and themes that make this one of Hitchcock’s greatest films.

With James Stewart as the wheelchair-bound photographer and Grace Kelly as his stylish but skeptical girlfriend, Rear Window turns a simple apartment courtyard into a stage for mystery, obsession, and paranoia. How does the film hold up today? What makes it a masterclass in visual storytelling? And is it really Hitchcock’s best?

Join us as we discuss the film’s tension, its place in cinema history, and why Rear Window still makes audiences question what they see through their own windows.

Topics in this episode:

• The genius of Hitchcock’s one-location storytelling
• James Stewart’s performance and his chemistry with Grace Kelly
• How the film builds suspense with limited movement
• The ethics of spying on your neighbors
• What modern films could learn from Rear Window

Let us know your thoughts on Rear Window and whether you think it deserves its legendary status. Don’t forget to rate and review Scene It Lately wherever you get your podcasts.

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