Radio Fluxus: Stories from the Fluxus Archives is a podcast series which invites scholars, artists, curators, conservators and other art researchers and practitioners to share their stories about one Fluxus artwork, along with their views on its use and activation. This podcast is part of the research project Activating Fluxus located at Bern University of the Arts and funded by the Swiss National Science Foundation. More information about the aims of the project and its team is available at activatingfluxus.com.
This episode explores Philip Corner’s iconic work Piano Activities, starting with its controversial 1962 premiere at the Wiesbaden festival. Our guest, artist Sean Miller, narrates his experience int…
The concept of switching motors between a fan and a clock was conceived by American intermedia artist Larry Miller around 1973-74. He shared the concept/score of “Very Fast Clock and Very Slow Fan” w…
Alison Knowles's Performance Piece #8 (Summer 1965) exists as a language-based proposition published in the first Great Beat Pamphlet (New York: Something Else Press, 1965). It also exists as a "grap…
Dream Piece (1976) is a performance by John Armleder, conceived and enacted within the expansive context of the Ecart Group, an artistic collective that thrived in Geneva during the 1970s. Ecart's ap…
Composed by Bengt af Klintberg in 1963, Orange Event No 3 (or Apelsinhändelse nr 3 in Swedish) is one of the scores from the series Twenty-Five Orange Events. The series was published several times, …
Open and Shut Case (1965) is a score-based work which manifests itself in a variety of ways. As is often the case for Fluxus events, the score has been written down a posteriori, out of the creation …
The third episode of our podcast presents Mirror Piece (1963) by Japanese artist Mieko Shiomi. This work, as many other Fluxus scores, does not have a singular manifestation but rather exists as many…
This episode features Benjamin Patterson’s work Hooked (1980) from the collection of Getty Research Institute, acquired in 1985 as a part of Jean Brown Archive. Formally, Hooked is a fishing tackle b…
This episode presents George Brecht’s event score titled Thursday. This conceptual piece that relates rather to the tradition of musical notations than to the object-oriented realm of visual arts exi…