Brazilian 3-D designer Cicero Moraes used open-source modeling software to simulate how a linen sheet would imprint when draped over a full-volume human form versus a shallow low-relief model, then compared each digital pattern with photos of the Shroud of Turin. He found the Shroud’s undistorted proportions match the low-relief simulation, strengthening the case that the relic is likely a medieval artistic creation rather than a true burial cloth imprint.
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