Doug Fearn draws on his 50+ years as a recording engineer, record producer, studio owner, and pro audio equipment designer to explain the art and science of recording for the audiophile, music lover, and people in the music recording industry.
Recording sessions can be technologically complex. There are mics to set up, cables to run, headphones to deploy, maybe patching in the control room, and software and hardware to config…
Since the advent of multitrack recording, the goal of most engineers has been to keep the sound of every instrument totally isolated from all the others. That makes our job much easier,…
I live and work in the woods, surrounded by wildlife. There are many species of birds and in the spring their songs are pretty amazing. Over the years, I have thought about recording th…
Virtually all digital recording uses a format called PCM. But there is another digital format that works in an entirely different way. It’s called DSD, for Direct Stream Digital, and yo…
Does audio quality really matter?
Our society in general has seen a major loss in quality of goods and services. Music recording has not escaped this trend.
In this short episode, I give …
Most recording occurs in a studio, and the design of that facility has a major effect on the quality of the recordings made there.
In this episode, I discuss some of the things that I th…
Monitor speakers are a necessity for most of our recording. But I have always had a problem with the sound of speakers, and I explain why in this episode.
Speakers always exist in a spac…
Vinyl record sales have been increasing every year for a while now. Today, vinyl outsells CDs. Fans like vinyl for its unique sound, and the large format of the jacket.
Record pressing p…
If you are working as a recording engineer, how did you learn your craft? A formal recording program? As an intern with an accomplished engineer? Or maybe you figured it out on your own…
Using a single microphone, or one stereo mic, to record a musical performance all at once without any overdubbing can result in a recording that is very compelling to the listener. When…
When you are just starting out in recording music, you are likely to need microphones. And if you have been recording for a while, you may feel the need to add to you microphone collect…
Joseph Arnold is a talented violinist that has played on a variety of projects I have produced. He is also an excellent writer, who just published his first book, titled, “Soul Force: H…
In this last of three episodes on the art of producing, I talk about my process for mixing. It is all part of the concept of a song from the beginning. Mixing is where everything comes …
This is the second of three episodes on the Art of Producing. In this one, I talk about the mics and equipment I use in my studio, and the reasons why.
The example used for this series f…
The art of producing a record requires knowledge of music, mastering the technical aspects of the recording process, and an ability to work with people.
This is the first of a three-part…
Our perception of frequency balance varies with loudness, a fact documented by Harvey Fletcher and Wilden A. Munson, two scientists at Bell Laboratories. In 1933, they published a paper…
Almost all pop music features someone singing. Getting the best vocal performance is crucial, since most listeners respond to the words of a song and need to be able to hear them.
In thi…
There are many things that are important to create the proper studio environment for creative success. Most of these things are pretty mundane, but they do make a difference.
Examples I …
Ever since its announcement, I have been interested in learning more about Dolby Atmos. I was skeptical at first, primarily because of my experience with “Quad” back in the 1970s. That …
Compression and limiting are tools we use to modify the dynamic range of the music we record. In this episode, I present a brief history of where this technique came from, how it evolve…