Acclaimed indie auteur Rob Tregenza returns to the big screen with his latest feature, THE FISHING PLACE—a visually stunning, philosophically rich new film that’s capturing critical attention across the country.
Critics are raving:
⭐ "Spectacularly conceived… An artisan of the highest order." – Richard Brody, The New Yorker
⭐ "An authentic independent who holds you rapt." – Manohla Dargis, The New York Times
Tregenza has long been a quiet giant of independent cinema. From directing the arthouse gems TALKING TO STRANGERS, INSIDE/OUT, and GAVAGAI, to serving as cinematographer on Béla Tarr’s WERCKMEISTER HARMONIES, and distributing major works by Michael Haneke, Jacques Rivette, and Jean-Luc Godard, his influence on American cinephilia is immeasurable.
Now, with THE FISHING PLACE opening in theaters across the U.S., INSIDE THE ARTHOUSE sits down with Tregenza for a wide-ranging conversation on:
🎥 The aesthetics and philosophy behind The Fishing Place
📽️ His legacy as an independent filmmaker, cinematographer, and distributor
🎞️ How European masters shaped his cinematic voice
🧠 What it means to search for meaning and beauty in film—outside the mainstream
If you love auteur-driven cinema, poetic imagery, and the quiet rebels of film history, this episode is for you.
The Fishing Place Rob Tregenza, Rob Tregenza interview, independent cinema 2024, arthouse film podcast, The Fishing Place movie review, Richard Brody New Yorker film, Manohla Dargis NYT, Bela Tarr Werckmeister Harmonies, MoMA Rob Tregenza retrospective, Talking to Strangers film, true indie directors, European cinema US distributor, Haneke Godard Rivette, Inside the Arthouse podcast
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