That’s my guest, Alex Salam, with one of the most riveting reasons to become a filmmaker I’ve ever heard. Given their significant training, it’s practically impossible to do, but I wish we had more doctor/filmmakers in the world. From those that I’ve seen, they’ve produced work that is equal parts precision and creativity, the perfect combination of soul and mind.
Alex’s film, TWENTY TWENTY (2025) certainly does that — it’s “set over one brutal night shift at the height of the COVID pandemic and shows a very seasoned doctor’s emotional transformation” — and I feel so grateful we have filmmakers like Alex making art.
In this episode, Alex and I talk about:
Alex's Indie Filmmaker Highlight: NFTS Sean Connery Lab Shorts
Memorable Quotes:
“What medicine has done for me as a filmmaker, it gives you a good understanding of character and emotion.”
“You have to be clinically insane to go straight to a feature without having done a short or worked on TV.”
On what makes a great short: “Have a beginning, a middle, and an end to a story.”
“That’s an advantage…if you’re making a drama set in hospital, it’s a shortcut.”
“ The kind of collaborators that I like working with that are important for me to work with [are] other collaborators who can be a little bit vulnerable.”
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