Tony Lewis

From his breakthrough series "Anthology," which turned Calvin & Hobbes into poetry, to his epic installation pieces that transform William Buckley's arguments from his 1965 Cambridge debate with James Baldwin into graphite-coated strenography, Tony Lewis has carved a unique space for himself in contemporary drawing. Working mainly in graphite, Lewis' practice challenges the conventions of language and functions simultaneously as abstraction, text-based, conceptual, personal, and political, creating one of the more innovative bodies of work in art today. Tony joined me from his studio in Chicago to discuss the recent 4-person show he was a part of, What Drawing Can Be: Four Responses, at the Menil Drawing Institute in Houston, as well as how stenography found its way into his work, and what he had to sacrifice to create his Calvin & Hobbes-based series.
Photo: Evan Jenkins
https://massimodecarlo.com/artists/tony-lewis
https://www.menil.org/exhibition/what-drawing-can-be-four-responses