I'm joined by guest Phil Stacey as we dig into the catalog of the Grateful Dead, starting with the band's 1967 debut.
Show notes:
- Recorded at CompCon world HQ
- Other podcasts have focused on catalogs of U2, R.E.M., Phish, The Tragically Hip
- Looking at the Dead album by album
- Phil's a tie-dyed in the wool Deadhead, Jay has only superficial knowledge of the band
- Phil: Got into the Dead in the mid-'80s, saw them live in '89
- Attracted by the musicianship, lyrics
- Live is where the band really shines
- Every show was different
- The solo work from Jerry Garcia and Bob Weir was pivotal as well
- Songs would be played live years before it showed up on an album
- Band's biggest hit, "Touch of Grey," was first played live in '82 but became a single five years later
- Jay: More into hard rock, metal as a kid
- Got into alternative and punk
- Would hear some Dead songs on classic rock radio
- The tribute comp Deadicated introduced me to more Dead songs
- Self-titled debut has a different sound than the one they evolved into
- Recorded in four days
- Only got up to #73 on album charts
- Mostly covers of folk and jug band songs
- Band took a lot of speed during recording, which shows in the songs
- Garcia rips on guitar throughout
- Not too much jamming on record
- Psychedelic rock was starting to happen in general
- Live versions of these songs were much longer
- Most Dead shows were 2.5 to 3 hours
- Jay: Really liked "Cold Rain and Snow," "Viola Lee Blues"
- "Sitting on Top of the World" bears some resemblance to Allman Brothers
- Phil: Garcia was very prolific, always playing guitar
- Bob Weir gave up the short shorts for cargo pants
- John Mayer plays with Dead and Co. now
- Surviving Dead guys are in their 70s now
- Not your typical Dead album
- The band didn't like how it was recorded
- Next up: Anthem of the Sun
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The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.