Talking about art in the Twin Cities with your pal Keith Pille. Season One is a guerrilla audioguide to some works on display at the Minneapolis Institute of Art.
We wrap up Season 2 by taking a look at Minneapolis’ most distinctive architectural feature, the network of bridges connecting the buildings of downtown. With each link being different, it’s an accid…
Architecture isn’t just about buildings- it’s also about parks, places that are notably building-free. Peavey Plaza is a great park, and also a great exemplar of Brutalism, a form that sounds a lot s…
More gamboling in the lush fields of semiotics as we look at why the University of St. Thomas worked hard to make its downtown Minneapolis buildings, designed around the year 2000, look like parts of…
Jean Nouvel’s Guthrie Theater plays a complicated double game with its appearance, lying to you and then telling the truth about what’s really going on inside. This means we need to work up the guts …
Wells Fargo Center looks like another Art Deco building (in more ways then one- it looks like another specific Art Deco building), but that’s not quite accurate. It’s time to get serious about this p…
Some geometric glass buildings are really boring. Phillip Johnson’s IDS Center isn’t one of them, though! It’s a great example of modernism done well. But what’s modernism, anyway? Full Show Transcri…
The Foshay Tower is a building everyone in Minneapolis seems to love. But why? And if it’s an Art Deco masterpiece, what does that mean? EPISODE TRANSCRIPT Hi there! I’m Keith Pille, your art pal. In…
Welcome back to Artpal! Season 2, using buildings around downtown Minneapolis to talk about architecture, kicks off with a look at the Minneapolis Institute of Art as a building. But first, there’s s…
Keith wraps up the first season by pointing out that even though the Minneapolis Institute of Art is full of great works, one of its best artistic experiences involves looking out a window. FULL EPIS…
Alexa Horochowski’s Vortex Drawing 17 (2017.80.6) is a striking work of art that alludes to the problem of garbage in the oceans. The difficulty of finding a lot of other works by women is an example…
Yuji Honbori’s Eleven-Headed Avalokiteshvara Bodhisattva (2012.68.1a,b) and Susan Folwell’s Why Does He Call Me Caitlyn? (2016.5.13) are a couple of works of art that punch back at the walls of the a…
George Morrison wanted to be known as “a painter who happened to be an Indian.” But people always talk about him in the context of his ethnicity, even if it’s to say that he didn’t want to be talked …
William Howard and William Edmondson were certainly not insiders to the art world. Does that make their works—a writing desk (2012.11) and a sculpture of a ram (2013.56)—pieces of outsider art, thoug…
When artists have a distinctive style, it can be jarring to look at works of theirs that come across a little differently. Keith digs into a couple of MIA pieces– Kehinde Wiley’s Santos Dumont- The F…
Morris Kantor painted one hell of a portrait of his mother in 1922 (MIA accession number L2014.234.53), and it’s a good example of an approach to portraiture that can really tell a story. But it’s *a…
Keith digs into the 1969 painting Frank by Chuck Close, MIA accession number 69.137. It’s a striking work by an important American artist who, unfortunately, has been in the news lately for troubling…
Welcome to Artpal, both the podcast in general and Season 1 in particular. Host Keith Pille lays out some background and introduces the first season, which will act as a sort of guerrilla audioguide …
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Mon 17 Sep 2018
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