Art of Interference explores creative responses to climate change. We feature artists whose images, sounds, and performances encourage us to retune the relations of nature and technology, the human and the nonhuman. We ask climate scientists about their research and how it chimes with the interventions of contemporary artists. Additionally, we speak to activists, cultural critics, and policymakers about the need to develop a new ethics appropriate to our twenty-first century of planetary crises. In each episode, we discuss timely and untimely perspectives on how we, amid our human-made emergencies, may act in the world and allow this changing world to act on us.
Our third season investigates different Earth materials--metals, minerals, rocks, soil, moss, or wood. How, we ask our guests, does organic and inorganic matter in all its elemental states and shapes inspire their artistic creativity? And in what way does their work challenge prevalent notions of agency and entanglement, care and co-dependency, control and disturbance? By pursuing these questions, we present contemporary art as a unique laboratory to reevaluate common notions of interference and what it means to be alive amid the ecological crises of our present.
Our first two seasons featured artists whose work collaborated with water and air, or fourth and final season will discuss artistic practices that use fire as a medium to address the challenges of our over-heating planet.
In our AoI Special Editions, we present thought-provoking conversations about the arts as transformative media of inquiry, the role of art within the landscapes of higher education, and the interplay between artistic research, climate studies, and technology development.
Art of Interference is produced at Vanderbilt University in Nashville, TN. It has been made possible with the financial support of “The Science Communication Media Collaborative “ of the College of Arts & Science.
For more information, visit us at https://artofinterference.com.
Lithium plays a key role in the green energy transition. Its extraction, however, comes at considerable costs for the environment and for local communities, particularly in the so-called lithium tria…
Diné artist and photographer Will Wilson has been photographing hundreds of abandoned uranium mines and remediation site on the Navajo Nation over the last few years. In this episode, we speak with W…
In this final episode of season 2, we talk with dancer and dance scholar Mariama Diagne about the art of “heavy hovering”—the ability of modern ballet and dance to teach us a different way of moving …
Smoke is a beautiful—yet sometimes strange, or even terrifying—phenomenon. In today’s episode, we explore how the mysterious qualities of smoke open up possibilities for exploration and better unders…
“Wind, wind, wind. If you repeat the word wind often enough, then it will blow by itself.” These are the poetic words of this episode’s featured artist, Theo Jansen, who has spent the last three deca…
Our air and atmosphere require 21% oxygen to sustain life as we know it. Human-induced climate change has put this ratio under pressure. In this episode of Art of Interference, we feature Santiago Si…
Temperature regulation has become a deeply political issue in our boiling world. In this episode, we speak with London-based artist Susan Schuppli about her work on the violence of temperature and th…
“I am working very hard, although this morning... I was terrified to see that there was no fog, not even a wisp of mist: I was prostrate, and could see all my paintings done for, but gradually the fi…
In this episode, we turn our attention to the carbon footprint of the contemporary art world. What can galleries and museums do to reduce their CO2 emissions? How do curators and museum directors ret…
In this episode of Art of Interference, we turn our attention to the larger-than-life cloud creations of Tomás Saraceno, an artist who creates cities in the clouds and flyable cloud sculptures as a w…
In this episode, we talk with Grammy-award winning fluteplayer Molly Barth about the relation of breath, contemporary flute music, and climate change. We also hear from pulmonologist Dr. Priya Balakr…
In this first episode of our second season, we speak with three artists and scientists who reach out beyond the atmosphere of our planet in distress: astrophotographer Gerhard Huedepohl, photography …
Amie Esslinger’s site-specific installation Holding Impact is currently on display in Cohen Memorial Hall on the campus of Vanderbilt University. In this program we hear from Amie and from Amanda Hel…
This special edition of Art of Interference explores echoes between ancient rock and cave art and our contemporary moment. We feature the work of photographer Stephen Alvarez and visual artist Dustin…
In the final installment of Art of Interference’s first season, we feature a contemplative conversation with Cannupa Hanska Luger, an artist of Mandan, Hidatsa, Arikara and Lakota heritage, who speak…
“Blessed are the dead that the rain rains upon,” wrote poet Edward Thomas in the trenches of the first World War. Today’s episode deals with two different sorts of grief: climate grief, as inspired b…
In this week’s episode, the Art of Interference team explores the magic and allure of snow as a creative medium. We speak with international snow artist Simon Beck, whose large-scale snow-shoe drawin…
“If one looks at a glacier long enough,” the Icelandic author Halldor Laxness once wrote, “words cease to have any meaning on this earth.” In this episode of Art of Interference, we put Laxness’s obs…
For this episode musicologist Joy Calico joins Lutz Koepnick as co-host to discuss contemporary projects dedicated to the planet’s oceans in distress. We speak with Juliana Snapper and her collaborat…
In this episode, we delve into the fascinating world of rivers as we talk to artist Carolina Caycedo, whose work contemplates human and river relationships by breaking down boundaries between activis…